Wednesday, May 6, 2020

An Analysis of Shakespeares Sonnet 116 Essay - 536 Words

An Analysis of Shakespeares Sonnet 116 Shakespeares Sonnet 116, denying Times harvest of love, contains 46 iambic, 15 spondaic, 6 pyrrhic, and 3 trochaic feet. Like the varying magnitudes of stars that distinguish the skys constellations, infused with myths describing all degrees and types of love, the spondaic, trochaic, and pyrrhic substitutions create a pattern of meaning that can be inferred by the discerning eye and mind. Shakespeare emphasizes his denial of the effects of Time on love by accenting not in lines 1, 2, 9, and 11, and no in lines 5 and 14. The forceful spondees at the beginning and the regular iambic feet at the end of each quatrain progressively build the poets passionate rejection of loves transience.†¦show more content†¦the quality and duration of love reciprocated, without additional information. The meanings of the poems brilliantly varied iambic lines revolve around loves one fixed star, extending this image to the whole sonnet. Quatrain 1 begins with the unusual scansion of spondee, trochaic, iambic, pyrrhic, and spondee. No matter how unusual the situation, Shakespeare will not object to mutual love between honest people. Furthermore, their love should not depend on circumstances or peoples opinions. The iambic foot of Which alters links across the poem to the spondee of Love alters in Quatrain 3. The abrupt trochaic, even, in line 12, reinforces the importance of reciprocity in love, for love to be eternal. Moreover, the word bears alludes to the myth of the enduring love of Callisto and her son, Arca, as represented by the constellations of Ursa Major and Minor, with the North Star at the point of the tail of Little Bear. Quatrain 3, with a ratio of 15 regular to 5 irregular feet, begins with 2 spondees followed by 8 iambic feet. This sequence of regular feet evokes the sweep of Times sickle, alluding to the far-reaching arc of the tail of the Great Bear cutting through and reaping the love legends linked to such constellations as Virgo (rosy lips and cheeks), Gemini (looks on tempests), and Andromeda and Perseus (impediments to the marriage of true minds). Unlike the quatrains, the final couplet begins quietly with iambic and pyrrhic feet. Then,Show MoreRelatedShakespeare - Sonnet 116 Analysis and Interpretation887 Words   |  4 PagesShakespeare – Sonnet 116 Analysis and interpretation Sonnet 116 was written by William Shakespeare and published in 1609. William Shakespeare was an English writer and poet, and has written a lot of famous plays, amongst them Macbeth and Romeo and Juliet. Shakespeare lived in the Elizabethan era. At that time, the literature and art was in bloom, and his works are clearly characterized by that era both as language and theme goes. 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